Stevie Nicks, is that you just? Riley Keough appears retro whereas on set of her upcoming Amazon sequence ‘Daisy Jones and the Six.’
Riley Keough channeled her greatest Stevie Nicks whereas on set of her upcoming Amazon miniseries on October 7. The actress, 32, was photographed in retro wide-leg crimson pants and Nineteen Seventies entrance tie shirt in Los Angeles on Thursday, ending the look with a partial updo and bangs.
The star is at the moment filming Daisy Jones and the Six, a rock music drama that chronicles the rise of a fictional rock band, Daisy Jones and the Six, by way of the ’70s Los Angeles music scene. Based mostly on the 2019 ebook by Taylor Jenkins Reid of the identical title, the 12-episode sequence is produced by Reese Witherspoon‘s firm Whats up Sunshine.
Riley’s resemblance to Stevie comes as no accident, because the supply materials was impressed by iconic rock band Fleetwood Mac. In a weblog publish on Whats up Sunshine’s web site in 2019, Taylor penned a piece about how Stevie’s long and complex relationship with fellow bandmate Lindsey Buckingham impressed her ebook.
The inspiration got here when Taylor revisited The Dance, the band’s 1997 TV reunion particular. The writer wrote within the weblog publish:
I watched it in its entirety. I noticed that in a while within the present, Stevie sung ‘Silver Springs,’ like a lady scorned, holding that microphone like a weapon, drilling holes into Lindsey’s head along with her eyes as she sang that her voice would hang-out him. I used to be savvier then, I understood that generally trying such as you’re in love or in hate are stuff you ramp up a bit to make an excellent present. I additionally understood then what I may by no means have conceived of in 1997: Love makes no goddamn sense.
And but, two years in the past, after I determined I needed to put in writing a ebook about rock ‘n’ roll, I stored coming again to that second when Lindsey watched Stevie sing ‘Landslide.’ The way it appeared a lot like two individuals in love. And but, we’ll by no means actually know what lived between them. I needed to put in writing a narrative about that, about how the strains between actual life and efficiency can get blurred, about how singing about previous wounds may hold them contemporary.